演艺盛荟
柴可夫斯基富有想像力的音乐，令芭蕾舞剧目《胡桃夹子》成为最受欢迎的作品之一。故事中充满圣诞节期间装饰华丽的房间、飘飘落下的雪花之舞，以及花朵的圆舞曲。
《胡桃夹子与老鼠王》的情节是根据E.T.A.荷夫曼的小说改编。当精湛的童话故事从梦境到现实不断来回往返时，杜马斯（Alexandre Dumas）和佩蒂帕（Marius Petipa）所改编的芭蕾舞剧本却失去了许多原作黑暗浪漫的幻想。施普克（Christian Spuck）尝试把自己的编舞与杜马斯（Dumas）/佩蒂巴（Petipas）的版本保持距离，并把芭蕾舞的重心放到文学的渊源上，强调初本的奇幻本质，而非令人愉悦的圣诞节童话故事，并带回公主皮尔利帕特（Pirlipat）的故事情节，正如E.T.A.荷夫曼所说，她变成了胡桃怪兽。
在迪德威斯祖斯(Rufus Didwiszus)的舞台布景中，契爷杜西米尔(Drosselmeier)的工作室变成了古老的剧院，芭蕾舞的人物都苏醒过来。施普克(Spuck)的编舞与荷夫曼故事中多样化的角色互相交织，在荒诞和幽默中不失黑暗的浪漫主义。
播放频道：
港台电视31
播出时间：
(首播)
2021年5月8日 星期六 晚上11时
(重温)
2021年5月9日 星期日 下午1时
(网上重温)
至 2021年6月7日 星期一
Because of Tchaikovsky's imaginative music, "The Nutcracker" is one of the most popular works of the ballet repertoire, instantly bringing to mind scenes of a splendidly decorated Christmas room, dancing snowflakes and the waltz of the flowers.
The plot of “The Nutcracker“ is based on a novella by E.T.A. Hoffmann. While the masterful fairytale virtuously jumps back and forth from a dream to reality, in its adaptation as a ballet libretto by Alexandre Dumas and Marius Petipa, it lost much of its dark romantic fantasy.
Christian Spuck attempts to distance himself from the Dumas/Petipas version in his choreography and puts the literary origin at the heart of his ballet, emphasizing the fantastical nature of the original rather than the delightful Christmas fairytale and bringing back the fairytale of the princess Pirlipat, who turns into a nut monster, as told by E.T.A. Hoffmann. In Rufus Didwiszus’ stage setting, the workshop of the godfather Drosselmeier turns into an old revue-theater, where the characters of the ballet come to life. Spuck’s choreography plays with the richness of characters in Hoffmann’s narrative cosmos, the absurdity and overwrought humor that inhabit them while at the same time looking down into the dark abyss of Romanticism.
Channel:
RTHK 31
Time:
(First Run)
2021.5.8 SAT 11:00pm
(Re-run)
2021.5.9 SUN 1:00pm
(Online Catch-up)
Till 2021.6.7 MON
